Showing posts with label birthday. Show all posts
Showing posts with label birthday. Show all posts

Thursday, October 13, 2016

35 Bullet Points for a Fulfilling Life

Today I am 35 years old. In celebration, I'm going to Catalina and going without my cell phone or the internet for the day.

I also assembled a list of 35 things I've learned / ways of life that I recommend investing in. At first I thought it would be hard to come up with 35 of them, but in fact it was not. I actually came up with 36. I hope you find them useful, whether you're older, younger, wiser, or more naive than I am. And I hope you have a wonderful next trip around the sun. I'm planning to enjoy mine, because most of it will not be in 2016, which for so many has been hilariously bad.

FOREMOST: Life is choices, my dear. Quoted directly from Ann Landers's daughter Margo. This applies to just about every situation. You always have a choice, as a human being, even if both sides of it are bad (i.e. die or give in to the Emperor). You are responsible for what you choose. I think of this approximately eighty times per day. Everything else is secondary, which is why there are 35 additional lessons, because a) I cheated and b) I couldn't bear to make this lesson just one of 35.

The rest are in no particular order. Here's something to listen to while you read:



Tuesday, October 13, 2015

It's Kinda "Choose Your Own Doom Among Several Bad Choices"

I think I've been a little too noisy about my birthday this year, for no particular reason that I'm aware of, so I'll just say "it's my birthday" once more and then I'm done. Yay! Birthday!

by Roy Marvelous

I had a grueling weekend. I spent about 18 hours of it on schoolwork: a take-home midterm for my theory class (about which the less said, the better) and a short story for my workshop class. I'd spent enough time over the past two weeks thinking about the short story that writing it was less mental effort than usual, but it still kind of sucked to grind out 4,000 words in a single day. I honestly don't know if it's any good, but I'm pretty sure it doesn't suck. And it's finished. Which is what I needed to happen for the sake of the class. So, mission accomplished.

The story apes the format of a choose-your-own-adventure novel. I wrote three separate stories about three supernatural creatures: aliens, werewolves, and zombies. In the first two cases they are a little more metaphorical than they are in the final case. I created a few forks in the road for the characters to cope with and then put "turn to page X" instructions at the bottom of each page. I was so pooped from writing by the time I was formatting it that I wasn't enjoying it anymore, but when Matt read it he said the story was, in fact, fun to read. Which I hoped it would be.

Naturally, bad things happen to women in this story. I had swung away from that theme in 2014 by writing more about men and boys, but I guess I've swung back. Anyway, I'll keep you posted on how the workshoppers deal with it.

I hoped that this story would be a sort of rehearsal for the wikibook. A formal experiment that's not dissimilar to what I mean to do in the bigger project. The story was formally less hard than I thought it would be, which is good news. Of course, all the same writerly endeavors remain, pushing like ground stakes through the unusual format: characterization, tension, use of time, etc. I know not much better what to expect from writing the wikibook now than I did before I wrote this story, except perhaps that I can relax about it formally because that aspect won't be as hard as I thought.

The only other news is that we are finally out of Mercury being in retrograde, which I would have dismissed as hooey a month ago as something that affects me at all, but I do not think that anymore.




The best way I can think to explain the recent shape of my life is "my shit is all fucked up," and/or to direct people to this page. It is about Mercury being in retrograde in 2014 but I nodded along at every single thing. This is how my late September and early October has gone. Goddamn chaos all around me and I. am. not. chill.

On Sunday, though, I started feeling better. Like I feel after the Santa Anas have left town again. Their hot restlessness gets under my skin and I toss and turn, mentally and physically, until they go away. This retrograde business was closer to frenzy, and I am beyond grateful that it's ending.

We are heading into my least favorite time of the year, though - the Holiday Months. Give me strength, O Saint Willy the Shake.

You can get your own Sainted Writers candles here. 

Friday, October 9, 2015

Your Friday Yes: Turning 34

Another Your Friday Yes that's over five minutes long. :( I talk too much. One day I'll figure out how to make them shorter.



I record these on Wednesdays, and this past Wednesday I had a bunch of weird stuff going on. So I leaned confessional, because that's something I know how to do.

In case you were curious, the t-shirt I'm wearing endorses RiffTrax, which I love. I'm making it a business to wear a different interesting t-shirt every week, and I'm starting to think I ought to show them to the camera and talk about them. But then the videos would be yet longer. Decisions, decisions.

Tuesday, October 14, 2014

We, the Other Mothers, Do Not Salute You

Over the weekend I revised the story I wrote a couple of weeks ago, the one I thought came out pretty well. I was right, it came out pretty well. I'll name it the Girl Scout story here. It was hard to write but easy to revise (which, like, THANK YOU, LITTLE BABY JESUS), and I'm pleased with it. Matt's read revealed no major problems (which may actually be a first), another reader loved it and had no suggestions, and I even sent it to the hardest critic in my life, who loved it. I have submission plans for it already, but I'm also handing it out to my workshop class. I'll find out next Monday what they thought of it, and of course you'll hear about that.

I did lots of other stuff this weekend, too: saw an amazing opera, went to an unbelievable Hollywood costume exhibition, went out to dinner to celebrate my birthday (which was yesterday), did part of a very hard writing exercise, read about half of Toni Morrison's Jazz. Having a real job, even though it's part-time, has really changed the shape of my free hours, which is why so much had to squeeze into those two days. Lots to say about that, but I don't really want to get into it, here or anywhere else, honestly.


Although it is part of the reason why there was no post in this space on Friday. I didn't know what to write about, and I didn't really have the mental time to come up with a topic. I asked for feedback about post topics on Facebook and got some good answers, so look for that this Friday and in other posts to come. In the meantime, I think I'll veer right back to the story I revised this weekend as an opportunity to talk about the first-person plural point of view.

If you don't know what I mean, first-person plural is "we."
We found what we were looking for in the small freezer at the front of the shop - Cornettos, of course, in paper wrappers, which we greedily tore open and crunched and licked until they were gone. 
If you didn't just get the urge to watch Shaun of the Dead, I'm not sure we can be friends anymore

After he read the Girl Scout story, which is written in first-person plural, Matt asked me who else writes in this POV. I told him Joshua Ferris, of course, Then We Came to the End, and he said yeah, you always mention that guy, who else? I said um...well, me, I guess. I'd told him that first-person plural wasn't an uncommon way to tell a story, but promptly failed to think of any other stories or novels I've read in that POV. (Examples are welcome in the comments.)

What is first-person plural good for? I can't give you college-sanctioned answers to that question, but I can tell you that I've used it for two stories (and read it in a well-executed novel) where the intention was to give the sense of a collective mindset. Whether that mindset is actually shared in its entirety by the whole group of characters to whom the "we" refers is part of what gives the stories, or the novel, their tension. In End, the characters are all co-workers, so the POV serves as an interesting commentary on the nature of the millennial workplace. Ferris also positions the co-workers separately from their boss, who is quietly battling breast cancer, throughout the novel. There's a we and then there's a she. It's a useful construct for character conflict.

The characters that compose the we also have separate identities - ways in which they stand apart from what they share as part of the collective. In both of the stories I've written in first-person plural, this distinction crops up at a crucial point in the narrative. It's meant to be the crest of a wave, the point when the prose points out the characters' distinctions.
A few of us wonder again whether she’s sleeping with Ray, and whether this means that she has his ear. Only two of us know that she isn’t and doesn’t.
In the Girl Scout story, my intention was to invoke a specter from my childhood: The Other Mothers. O, the dreaded Other Mothers. The heartless, judgy, gossipy clan of women who do everything right and observe every tiny thing you do wrong. For whom there are evidently thirty hours in the day to accomplish it all, instead of your own twenty-four. Who notice, and remember forever, the one day your child had dirty fingernails or tangled hair, the one day you yanked your kid by the arm and yelled instead of speaking patiently and wisely, the one day you put Doritos into the lunch box instead of apple slices. Of course The Other Mothers are not a united army (God help us all if they become one), but the ways in which they are the same are virulent, and have the potential to form interesting conflicts at, say, a Girl Scout meeting at which there arrives a new and different mom. Enter first-person plural, where The Other Mothers are the we.

I mean, thank goodness

I don't know if I'm doing this right, of course. It's possible that the conclusions I drew about what I observed in End are not the correct conclusions, and I'm using first-person plural wrong. I guess Monday will be an opportunity to hear about that, and to find out from our professor if there's something else I could or should be doing with the POV. If I'm wrong, I will mind, of course, but I'll mind a lot less than I would if I hadn't had the opportunity to put this story on paper in the meantime.

See you Friday. We'll be waiting.

Saturday, October 13, 2012

Hooray for Hollywood (Sign)

Today's my birthday and I've had a rip-roarin' time. I got some wonderful gifts - mostly book-based, which was excellent - and Matt and I hiked to the Hollywood sign down in...uh, Hollywood. Just like Stonehenge, you can't actually walk right up to the Hollywood sign or get close enough to touch it. In part I'm sure this is to keep vandals and souvenir-hunters out, but they say it's because the path there is too dangerous, with landslides and rattlesnakes and such.

Even getting to some cool views of the sign was (for my out-of-shape ass) quite a hike. It was a wide and well-kept trail most of the way, occasionally paved, but we were really crawling our way up and around the mountain that the sign sits on, Mount Lee, so we gained a lot of altitude in a relatively short distance. The views on the way up were goddamn incredible, though. All of central L.A. just spread out like a map.

Click to embiggen. This is the Hollywood Reservoir with the geographical district of Hollywood in the background.
Burbank is to the right and downtown to the left, neither visible. This was early on in the hike. 

I could see the smog like cotton wadding in between the buildings in downtown. If I'd known more about the area I likely would have been able to tell you the actual streets we could see down; as it was, Griffith Observatory was very easy to spot.

I want to go back again, because we went left instead of right and got this view of the sign:

No, that tower is not growing out of my head. 

Instead of this view (not my picture):

IMG_2749
If you live in L.A. and want to do this hike, go here, where this picture came from.
We would never have found our way without that site.

I wanted to get that close, even if it was through the fence, to get an idea of how big the letters actually are. We were tired enough at elevation Tower-in-Head, though, and it was an even steeper climb around the back of the mountain. As it was, we could see that the H badly needed repainting. It was cool as hell to get even that close.

I don't know why all the other people we saw taking pictures were enthused about the sign. For me it's an emblem of an interest, a devotion, that's given me many hundreds (probably thousands) of hours of joy and intellectual stimulation. I can imagine living in sight of the sign and thinking of it at first as a symbol of what you want to achieve, what you're determined to achieve, and then, as the years wear on, seeing it bitterly or otherwise unhappily. It's sad for me to think about. At this time, I'd love to live in sight of the sign, but I can't imagine it ever being worth our while.

I scared the bejesus out of Matt when I spotted the sign through the windshield while we were on Beachwood Drive, on the way to the trailhead, exclaiming and squealing in joy. I was just about as geeky as I ever get. The geekitude of actually living in Los Angeles still hasn't faded, and it's been four months since I moved here. I still get a little thrill when I'm driving on a freeway and see a sign for, I don't know, Burbank or Santa Monica or the Hollywood Freeway. I'm actually here! goes my brain. I try to tell my brain not to be such a damn movie nerd, I live here now, just be cool. But it won't. Movies just matter too much to me.

There. Somewhat meaningless happy post = another piece of the Birthday Experience.

Thursday, October 13, 2011

"I took the blows..."

In my adult life, I've tended to believe that your birthday is the one day when everything is supposed to go your way. This has been a week (a month) where very little has gone the way I'd hoped, and it's a milestone birthday that I've been dreading for quite a lot of years now, so I didn't think much would be good about today. My real birthday can be some other time, when things are going my way, when good news abounds. 

This morning, Matt gave me a lovely gift: 

Open at the Close Earrings

I told him ages ago that I wanted them, and then joked a lot with him about getting me an ironing board cover (Simpsons joke). But he bought them for me. And the matching necklace, too.

Then I got in the car to go to work, and although I was in no particularly good mood, the Traffic Light Gods saw fit to let me pass through two lights where I'm usually held up. I turned on the radio and heard a semi-interesting story about an assault and a car chase in Gambrills, and as no one was badly hurt and a crazy guy got locked up, it was the kind of story I like to hear. After that, the radio played "In Your Eyes", which is a song that even after all this time and all these repetitions I can't help feeling sloppy and romantic about. And then came the Doobies telling me to whoa-ooh-WHAAAH, listen to the music, and I sang along. And then there was a commercial, so I turned to WRNR and caught the last half of "Ain't No Rest for the Wicked". All in all, you see, the radio was playing just for me.

In my inbox and on my Facebook page were a dozen well-wishes (including the usual goofy birthday e-mail from Matt's brother, which always cheers me), and my in-laws sent me gorgeous flowers. An attorney I barely interact with, who always has a friendly smile for me, wished me a quiet happy birthday by the copier, totally making my morning.

So the little things are apparently going my way today. The big things are not, but the little things...well, life's in the little things, right?

At least I'll get through the rest of today without having to do this.

---

Nothing about writing today. Sorry. 

Tuesday, October 11, 2011

The Tension is Aging Me

This morning, someone took a picture of the back of my car. It was at least the second time this has happened. Both times, I haven't been terribly sure whether the picture was intended to be of my license plate, which is "L33T", or of all the bumper decorations: Kill Your Television, Flying Spaghetti Monster, a yoga sticker, and an MST3K sticker. I can't help being curious about what the focus was, the thing she wanted to capture. In any case, the blurry ass end of my car is surely on Facebook somewhere.

I was whining to my mom recently about how hard it is to make up words and names in a different language while I'm writing, and she asked me why I didn't just put placeholders in and come back to make up the words later. I told her that when I do that I start to get lazy, and just put placeholders in when I can't think up a good metaphor, or a good bit of dialogue that says what I want it to say. Before long I'm writing Swiss cheese. I could already see that starting to happen; I had forgotten to invent a female housekeeper character earlier on, so when I needed her at this point in the draft I just put in "female servant" in red so I could give her a name and a personality later. Shortly after, I put "[dessert]" instead of creating a name for a dessert, because <whine> it was almost 10, I've got work in the morning</whine>. When I came back to the draft last night, the [dessert] omission really bothered me, and I couldn't write well until I had invented a word for the damned dessert. I still don't know what the dessert actually IS, or what it tastes like (how can you get sugar underground?), but, you know, baby steps.

So, last night's work was reasonably good. I've cracked 50,000 words. I have that same confidence problem I had when I was writing the horror novel most recently; my characters are doing things, talking to each other, and I kind of can't believe that it's actually interesting. I feel like I could just cut all of this stuff, that there must be an exciting or meaningful scene up ahead that I should be getting to, and no one wants to read this character-building, world-building stuff. So writing about it seems contradictory, unnecessary.

This feeling is amplified because I'm reading a book right now that's all about conversations and emotions between characters (at the moment), and is really not very interesting. The author writes pretty well, but the situations between characters just kind of go on and on and I'm wondering when they're going to get to the point, and what the point may be. There just isn't any tension; it plods. I'm not really sure if you can tell whether lack of tension is happening to your own work, so I'm worried that all this writing and effort might be wasted, because I won't be able to tell on my own if my characters are boring their audience. (Because, of course, my own words are endlessly fascinating to me. And yes, I do sometimes go by Miss Piggy.)

My birthday's in two days. I feel conflicted. I know 30 isn't very old; I know my 30s will be much better than my 20s; I know that no one's going to shove me into Carrousel and blow me up. At the same time, I feel like something big and amorphous is coming to an end, and I will only be able to look back to know what it is. I also feel the same old insecurity about how I haven't set the world on fire yet. As far as that goes, I keep running across examples of people I admire who didn't really get going until they were a good deal older than I am.

Still. 30. Maybe the world just isn't flammable.