Two Bookshelves

I'm not quite on schedule on the bad film book, because May has been a Break. I've tried to rest and sleep aggressively to get my body back to normal after stopping horse work at the end of April. Of course that means I have insomnia and weight gain, and I've almost completely lost my concentration. I'll get back on track in June, I hope, with the book and my body. I'm trying to finish a cross-stitch project that turned out to be a hell of a lot more work than I thought, and when that is done, a small daily residue of despair, of not-finishing, will evaporate. It should be done in the next few days. 

It's a very fun piece, but larger than expected (I even misjudged how much Aida I'd need, which is why the upper and lower borders are tiny), and the purple is just...so much. I'm going to end up using two full skeins of embroidery thread on it, which I believe I've never done on a non-kit project. My larger projects have tended to represent a show I was binging while I stitched, and this one is Bob's Burgers. Just started season nine. 

I'm reading Zelda Fitzgerald's Save Me the Waltz, and it's...interesting. I don't know if I'd call it a good book, but it's absolutely worth reading: dense with beauty and steeped in a rare way of seeing the world, breathless with love, seductively artless. Few books have the persistent, seemingly haphazard, lapping movement it has. I half-wish I'd read it while I was a Fitz fangirl in my early teens, or at least known then that Zelda was a writer too. I find it interesting that my education on Fitz didn't include that information. 

I'm also audiobooking The Secret History. Outlook hazy so far. And I'm reading shorter books at as fast a clip as I can manage while still working on Lisa. This month I reorganized my bookshelves, you see, and discovered that I have two entire bookshelves full of books I haven't read. Like, not two shelves, but two bookshelves, two shoulder-high pieces of furniture fully loaded with books not yet read. So I'm trying to move through them. 

My bookshelves have been messily stacked instead of organized for over a year. It used to be my favorite thing to do when we moved, but the last two times, I organized them just a few months before we were asked to pack them up and move again. So this time I waited ages before organizing them again. As many books as I have now, it's tedious instead of fun to keep doing it (and I really didn't want to jinx us into moving again). But I finally got to the point where it was more annoying not to find the book I wanted than to spend a week stacking them on the living room rug and reassembling them on my shelves. 

In forward-facing writing news, a bunch of stuff has appeared or been published lately. This essay about the Teen Agers, which surprised me by doing pretty well, and this essay about Cop Rock, which surprised me by sinking like a stone. This interview with Kate Durbin was a small part of a large raft of publicity for her new book, but it meant a lot to me. This podcast featured me, about as enthusiastic and opinionated as I ever get. This issue of a fascinating literary project featured a bunch of my horse cross-stitches (keep clicking on the spinning object at the bottom). And this very nice review of Ceremonials appeared. 

In inward-facing writing news, I started a new blog for the book project I might be doing after I finish the bad film book. That project is a catalogue of the films of 1977, and I'm not sure of the final form it will take - a general discussion of trends and significance that mentions many films, or an encyclopedic listing of the films and how they cohere to trends and significance. In any event, I'm watching as many films from that year as I can, and offering up my notes on them here. It's less a blog like this one than it is an online notebook to help me track my progress. 

One thing I'm less learning than I am seeing in action is how much old years are like new years. Most of what I'm watching is mediocre, or genuine dreck. While I still think 1977 is meaningful in cinema history, I also think I've likely seen most of the gems already, because they have lasted and been talked about. There's a lot of cinematic dreck in a given year and we live through it in real time, but the stuff that's worth watching later usually sits in the thresher, glittering, while the chaff blows off and away. Watching more of the films from a given year demonstrates that films aren't getting worse; we just don't usually watch the bad ones four decades later. 

What's ahead of me is a lot of hard work, no matter how you slice it. After I finish the bad film book, I've either got the 1977 book or the Casablanca book ahead, and I have three finished or near-finished books I'd like to get published, all of which have very different audiences. I should probably find an agent if I can, although I'm frustrated and doubtful about that, and it's too long to get into why. I'm contemplating plunging into an extremely difficult long-term project (not writing, but literary) and am genuinely scared of the work it will take to do it. 

I'm feeling discouraged, is the point. Lots of things are clicking, and I'm certainly counting my blessings. But although there are five shelves of books I've read, my eye keeps jumping back to those two I haven't. 

There's one other thing on my mind, to do with talent and effort. I tried writing it here but it ended up long enough to be its own post so I will post it another time. Stay tuned.