Monday, May 6, 2019

Interacting with the Material World

You might have seen it on social media, but KERNPUNKT revealed the cover art for my book. It looks like this:

Art by Mariana Magaña

It's so much prettier even than I imagined. I love it.

Managing the book release in early stages has reminded me a lot of wedding planning. A great deal can be done a long time in advance, but a lot of what must happen has to wait for the right moment to be planned. Calendaring and lists are essential. I was born to do that kind of work.

There's a bunch of other stuff going on, too. A long story I wrote, "After Gardens," known on this blog as "the hot springs story," is going up for sale at the Wild Rose Press as a standalone ebook in mid-June. This press has been supportive and helpful all throughout the process of turning "After Gardens" into a commercial ebook, and I'm very happy it found a home there. However, the way this ebook requires promotion is completely different than the way Ceremonials does. Different audience, different kind of press, different goals, different approach. It's like switching alphabets. For this reason, I've been dragging my feet on promoting "After Gardens," but I need to get going on it.

Less striking, but just right for the content 

It's being sold as women's fiction, which is about right. (For the record, it's hard to find markets for short stories that qualify as women's fiction. Both readers & publishers prefer that genre in book length.) I hope it does well for the press, of course, but I feel weirdly indifferent to this project. Submitting to TWRP was my last shot with this story before I trunked it permanently, so I'd nearly severed my investment in it when it was accepted. Of course I'm very happy they accepted it and are selling it, and I'll do my best to promote it, but it feels like someone else's work, and that makes it more of a chore and less of a pleasure to promote.

A few weeks ago I put together a schedule for writing the remaining hybrid film essays I have to write for the collection I'm assembling. I gave myself ample time to write them in order to be finished by the end of 2019. At the time, April still had some days left in it, so I set a goal to finish something else nagging at me that isn't part of this project, a partially written essay about abandoned places, before May began. I succeeded (and the process of writing it was fraught, so hooray, go me, I did something hard), sort of. I thought I had a three-strand braided essay, but what I actually had was one lyric two-strand essay and a separate, much more straightforward single essay. When I was finished with both, I knew the lyric one was missing something, but I submitted it to an urgent opportunity before figuring out the missing bit. (This is a rookie mistake and I'm ashamed of making it. Oh, well; I'll fix it and send it out elsewhere, when it's actually ready.) Mostly I'm pleased that I met the goal of finishing those two pieces, which have been dormant for over a year, waiting for me to put butt in chair and finish them.

There are three main threads in my creative work right now: a) books, b) hybrid film essays, and c) everything else. What I wrote at the end of April falls under c), but now that it's done, I have to return to b). The one I scheduled myself to write in May is a little obnoxious, as it relates to Jeanne Dielman, a static three-hour film mostly about a woman doing domestic chores, but I knew I needed to get it out of the way before I went wild writing about Mildred Pierce.

Earlier this spring, I bought a handmade creativity candle. I wanted, on the first day of May, to burn it and do a tarot reading to restart/redirect my creativity. I've written easily 100,000 words of book reviews in the past 18 months. That's great, but considering that volume of work, I think I need a genuine ritual to direct energy into the collection I want to finish, which requires more intuition and less brain than reviews.

I didn't succeed in that goal. May has come in strange. I feel like I need more time to think, and then I get bored and anxious inside my own head. I'm sleeping thickly, with upsetting, disruptive dreams. My emotions are labile, slippery. [private circumstance], in a way I haven't been since my early 20s, and I have no idea what that's about. Literally all of this could be stress, the unbearable stress of freelancing, built up over time, refusing to come to an actual head but bubbling ceaselessly under a thin and all-too-permeable layer of self-control.

I'm writing this here instead of somewhere private because it's all of a piece, the emotions and the creativity and the stress and the book(s) coming out and what I'm accomplishing and failing to accomplish. For me there's no separation between succeeding at writing that lyric essay - which I think is one of the more meaningful things I've written, if not really one of the best - and failing to do the laundry today. At the end of a given day, the measure of it is how much I have interacted with the material world instead of shutting it out. That's the only mark of success or failure I have to go on right now.

I worry that this sounds too bleak. I'm sorry. I feel weird right now. There's a big deadline coming up in about two weeks, so I could use that as an excuse, but of course there'll be more coming after that and after that; if it's an excuse, it's a permanent one. Seeing Avengers: Endgame yesterday overclocked my emotional state in a way I can't explain at all, since I don't have a lot invested in the MCU, and I'm still recovering from that, which is embarrassing to admit but absolutely true. Ceremonials being a real thing that's coming, all five of my desired blurbers agreeing to review the MS, people jumping in to offer their influence to help me and the book, is exhilarating, but also a brand-new experience that I don't seem to be integrating easily. I landed a fascinating opportunity this summer, but it'll drain my financial resources instead of adding to them, which is a very unkind cut at the moment. Etc. All the great stuff is as overwhelming and stressful as the less-great stuff, and often they seem to be entwined.

At least I cleaned the apartment over the weekend. Looking at the clutter was getting to me, and now it's a lot better.

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